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Poesia marginal
Poesia marginal (Marginal Poetry in English) is the way it is named part of the poetry produced specifically in the Brazil immediately after Tropicália during the 1970s,〔(Oliveira, Ana. Mimeographed poetry. Tropicalia website. Fundo Nacional de Cultura. Governo Federal do Brasil. )〕 because of the censorship imposed by the Brazil's military dictatorship from 1964,〔(Consulate General of Brazil. San Francisco. An Introduction to Modern Poetry in Brazil. )〕 leading intellectuals, academics, poets and artists in general throughout the country, to seek alternative means of cultural dissemination, notably the mimeograph machine, technology more accessible then. The most used technology named the movement or socio-cultural Brazilian phenomenon, called "Generation mimeograph," which had, besides poetry, links with other arts such as music, theater and cinema, and an extension through other media through the years of 1980 and 1990. As a result of be produced out of a supply chain and be passed from person to person as the Samizdat Russian, the poetry produced by mimeograph generation was called "marginal".
Some names linked to the ''mimeograph generation'' and the marginal poetry were Torquato Neto, Ana Cristina Cesar, Waly Salomão, Glauber Rocha, Paulo Leminski, Caetano Veloso, Lygia Clark and Hélio Oiticica.〔Mattoso, Glauco. O que é poesia marginal? ("What is marginal poetry?") (essays) São Paulo: Brasiliense, 1981.〕
==References and notes==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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